Although the publisher changed the name of the book, he left the title of the Introduction the same, so Winesburg begins with a sketch that is not about Winesburg or George Willard, but about the concept of the grotesque. The sketch describes an elderly writer who hires an old carpenter to raise his bed somehow so that as he lies there he can look out the window. The old carpenter tells the writer of his experiences in the Civil War and, as he talks, he begins to cry.
In his first two books, Anderson tried to sound "literary"; instead, he sounded pompous and awkward. In Winesburg, there is still some evidence of this style; in "Loneliness," for example, he says, "The fruition of the year had come.
This is a style which he probably could have used in his earlier books, but he thought it not fancy enough. His brother Karl lent him this book and Anderson testified afterward that the book was a revelation that he might be able to produce a style of his own. From Stein, he may have learned the repetition of key words and the insistently simple syntax that characterize his prose, but her work was merely one of several influences which he synthesized into a distinct style of his own.
Another important influence was probably the Gideon Bibles which he found in hotel rooms during his traveling salesman days.
Anderson admitted that he often tore pages from these books and read them during free moments of his traveling. From these he likely learned the trick of incremental repetition and a biblical diction, both evident in this passage from "Godliness": Let Thy grace alight upon me.
Send me a son to be called David who shall help me. Anderson excitedly read it in one night and realized that a prose equivalent would give the freedom yet sustain the unity which he had been wanting. Masters had set his collection of poems in the small town of Spoon River and, in the poems, he had given a glimpse of the repressed and frustrated lives lived by the villagers.
This unification by setting, theme, and mood creates a more complex meaning than each individual poem or story could have by itself. Critics have argued about another possible influence on Winesburg.
Some called Anderson an "American Freudian" and insisted that he was influenced by Freud because Winesburg deals with frustration and repression, often of normal sexual desires; Anderson, however, denied having read Freud or exploiting him in his writing, and Trigant Burrow, a psychoanalyst and friend of Anderson, has said, "Anderson was a man of amazing intuitive flashes but again, like Freud, the chief source of his material was his own uncanny insight.
I can say very definitely that Anderson did not read Freud, nor did he draw any material from what he knew of Freud through others. In addition to the colloquial quality, the repetition of key words, the simple syntax most of his sentences are composed of a subject, verb, and object or complementand the biblical diction, we can notice some other stylistic characteristics.
His prose is normally a series of affirmations strung together with "ands"; he accumulates rather than subordinates. He seems, as one critic has said, to have learned "the art of leaving out," of suggesting rather than stating explicitly.
Often, in fact, his vocabulary is flat and colorless, not the superlatives one might expect of an advertising man. Anderson himself said, "I have had a great fear of phrase making.
George wants to get below the surface, and Anderson, too, seems to write impressionistically, attempting to get the delicate quality of an experience.
Often a story is not told in logical order but in a rambling way because that is how the mind works. As we have seen in the Winesburg stories, there is little suspense in such a system but the reader often gets a sense of satisfaction at the end of a story because it has provided an epiphany, a psychological revelation.
Certainly Anderson succeeded in what he hoped for after reading Gertrude Stein: He did develop a distinctive style of his own.An Analysis of Sherwood Anderson’s Winesburg, Ohio Essay Stylistic analysis of a short story by Saki "Laura" The story under analysis is titled "Laura".
It is written by British author, master of the short story Hector Hugh Munro, better known by the pen name Saki. The stylistic analysis of Sherwood Anderson’s short story “Hands” I would like tell you about the story I have read.
It is written by an American novelist and short story writer.
Winesburg, Ohio (full title: Winesburg, Ohio: A Group of Tales of Ohio Small-Town Life) is a short story cycle by the American author Sherwood Anderson. The work is structured around the life of protagonist George Willard, from the time he was a child to his growing independence and ultimate abandonment of Winesburg as a young man.
In addition to the colloquial quality, the repetition of key words, the simple syntax (most of his sentences are composed of a subject, verb, and object or complement), and the biblical diction, we can notice some other stylistic characteristics. Summary and Analysis The Book of the Grotesque"" Bookmark this page Manage My Reading List When Sherwood Anderson submitted his manuscript of Winesburg, Ohio to a publisher it had a different title; he had named it The Book of the Grotesque.
Dive deep into Sherwood Anderson's Death in the Woods with extended analysis, commentary, and discussion Point of view is probably the most striking and significant stylistic feature of.