A biography and life work of aaron copland an american composer

Copland, the son of Russian-Jewish immigrants, was born in New York City and attended public schools there. An older sister taught him to play the piano, and by the time he was 15 he had decided to become a composer. As a first step Copland tried to learn harmony through a correspondence course.

A biography and life work of aaron copland an american composer

New York, New York American composer Aaron Copland was one of the most important figures in American music during the second quarter of the twentieth century, both as a composer a writer of music and as a spokesman who was concerned about making Americans aware of the importance of music.

He won the Pulitzer Prize for music in The family lived above a department store, which they owned. One of Copland's sisters showed him how to play piano when he was eleven years old, and soon afterward he began taking lessons from a teacher in the neighborhood.

At age fifteen he decided he wanted to be a composer. While attending Boys' High School he began to study music theory beginning in Copland continued his music lessons after graduating from high school, and in he went to France to study at the American Conservatory in Fontainebleau, where his main teacher was the French composer Nadia Boulanger — During his early studies, Copland had been attracted to the music of Scriabin —Debussy —and Ravel — Composing career After Copland completed his studies inhe returned to America and composed the Symphony for Organ and Orchestra, his first major work, which Boulanger played in New York City in Music for the Theater and a Piano Concerto explored the possibilities of combining jazz and symphony music.

Serge Koussevitzky —conductor of the Boston Symphony Orchestra, became interested in what he heard from the young composer, and he helped gain a wider audience for Copland's—and much of America's—music.

In the late s Copland turned to an increasingly experimental style, featuring irregular rhythms and often jarring sounds. His works were entirely personal; there are no outside influences that can be identified in the Piano VariationsShort Symphonyand Statements.

The basic features of these works remained in one way or another central to his musical style in the following years. The s and s were a period of deep concern about the limited audience for new and especially American music, and Copland was active in many organizations devoted to performance and sponsorship.

His organizational abilities earned him the title of "American music's natural president" from his fellow composer Virgil Thomson — Promoter of "American" music Beginning in the mids throughCopland made a serious effort to widen the audience for American music and took steps to change his style when writing pieces requested for different occasions.

He composed music for theater, ballet, and films, as well as for concert situations. In his ballets— Billy the KidRodeoand Appalachian Spring ; Pulitzer Prize, —he made use of folk melodies and relaxed his previous style to arrive at a sound more broadly recognized as "American.

Copland's concern for establishing a tradition of music in American life increased when he became a teacher at The New School for Social Research at Harvard University, and as head of the composition department at the Berkshire Music Center in Tanglewood, Massachusetts, a school founded by Koussevitzky.

Beginning with the Quartet for Piano and StringsCopland made use of the methods developed by Austrian American composer Arnold Schoenberg, who developed a tonal system not based on any key. This confused many listeners. Copland's most important works of these years include the Piano FantasyNonet for StringsConnotationsand Inscape As a spokesman for the advancement of indigenous American music, Copland made great strides in liberating it from European influence.

Today, ten years after his death, Copland’s life and work continue to inspire many of America’s young composers. Copland was born in Brooklyn, New York, on November 14, Aaron Copland: THE LIFE AND WORK OF AN UNCOMMON MAN (Music in American Life) [Howard Pollack] on ashio-midori.com *FREE* shipping on qualifying offers.

A biography and life work of aaron copland an american composer

Features the biography of Aaron Copland, his life, and his music/5(9). Aaron Copland was one of the most respected American classical composers of the twentieth century.

Copland’s life and work continue to inspire many of America’s young composers. JSTOR is part of ITHAKA, a not-for-profit organization helping the academic community use digital technologies to preserve the scholarly record and to advance research and teaching in sustainable ways.

Genesis. The original ballet was choreographed by Agnes de Mille for the Ballet Russe de Monte Carlo, a dance company that moved to the United States during World War ashio-midori.com order to compete with the rival company Ballet Theatre, the Ballet Russe commissioned de Mille out of a career of relative ashio-midori.com choreographer was given considerable creative control, choosing Aaron Copland as the.

Aaron Copland (/ˌærən ˈkoʊplənd/; November 14, – December 2, ) was an American composer, composition teacher, writer, and later in his career a conductor of his own and other American music.

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